Michael F. Lazar
Luthier

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A GUITAR UNDER CONSTRUCTION

The following charts list the steps that I will complete during the construction of a guitar that I'm currently making. I usually clear this page twice each year and start with a new guitar for a client who is particularly interested in following the progress of his/her guitar. This partic lar guitar is being built for Alec.

The tasks that have been completed are marked as to the date the task was done. Click on the photo links to see pictures of components at various stages of completion. Each picture will open in a new window which can be closed after viewing. In order to get the best view of the pictures make sure the browser window and image are both maximized. 

Work takes place under a number of sections during the same time period so you may want to review the whole page each time you come here looking for progress. Also, please bear in mind that I am building three other guitars at the same time, so progress may seem a little slower than it would be if I was making only this one. 

This page was cleared and restarted April 19, 2010. Last updated Jul 09, 2010.  

Be sure to maximize the images for best viewing. 

Materials are as follows:

Sound board Engelmann spruce
Back and Sides East Indian Rosewood 
Neck Honduras Mahogany
Fret board African Black Ebony
Bridge East Indian Rosewood
Linings and tail block Ash
Purflings Maple, Black Veneer
Frets Nickel Silver
Rosette Hand made in Tula, Russia
Nut and Saddle Bleached bone, fully compensated for intonation
Tuners Alessi 

 

NECK Complete Photos
1. Dimension and true up neck blank and heel stock. Apr 01
2. Cut off head stock to scarf joint angle and true. Apr 03 Neck~01
3. Glue up head stock scarf joint and heel block Apr 05 Neck~02 Neck~03 Neck~04
4. Rout receptor slots for sides Apr 07 Neck~05 Neck~06 Neck~07
5. Rout receptor slots for top Apr  09 Neck~08 
6. Rout and glue carbon fiber reinforcement Apr 12 Neck~10 Neck~11 Neck~12
7. Cut heel and foot profiles. Apr 15 Neck~09
8. Rough cut heel and foot side curvature profiles. Apr 17 Neck~13 Neck~14 Neck~16
9 Glue and thickness headstock face plate Apr 26 Neck~17
10. Prepare and glue headstock face plate/veneers May 01 Neck~18
11. Cut headstock faceplate nut stop. May 01 Neck~19
12.  Rough cut neck taper and headstock side tapers. True up headstock tapers May 01 Neck~20
13. Rough cut upper headstock design. May 01
14. Drill tuner holes. May 01 Neck~21
15. Rout headstock slots. May 01 Neck~22 
16. Roundover top of headstock slots May 01 Neck~23
17. Cut ramps and refine headstock shape. May 05
18. True up fret board and establish initial thickness. May 06 Neck~24
19. Rough cut fret board tapered width and true width to final dimensions. May 06 Neck~25 Neck~26
20. Slot fret board  May 06 Neck~27 Neck~28
21. Taper fret board thickness to final dimensions. May 06 Neck~29
22. Drill locator pin holes in fret board at frets 1 and 11. May 07
23. Locate fret board on neck, mark and drill neck locator pin holes & install pins. May 07
24 Glue fret board to the neck using clamps. May 07 Neck~30
25. Trim the sides of the neck to match the fret board. May 07
26. Level the fret board and file bevels into the fret slots. May 08 Neck~31
27. True up underside of neck that will mate with the top May 08
28. Cut and install frets. May 09 Neck~32
29. Trim fret ends, file and bevel. May 09 Neck~33
30. Rough shape heel and nut ends of the neck.  May 11 Neck~34 Neck~35
31. Carve and sand neck to final shape.  May 11 Neck~36 Neck~37 Neck~38
32. When top ready, dry fit & align neck & top. Mark and cut & finish neck end May 27 Neck~39

 

PURFLINGS AND BINDINGS Complete Photos
1. Glue up light/dark/light veneer sandwich for back/side purflings   Apr 25 PB~01
2. Cut the sandwich into required strips. Apr 25 PB~02
3. Glue back centre purfling strips to the back centre inlay. Apr 25 PB~03
4. Glue up white/black veneers for top purflings & cut into strips & bend. Jul 01
5. Glue side purfling strips to binding strips and trim. Jul 04 PB~04
6. Finalize thickness for binding strips Jul 04 PB~05
7. Bend bindings. Jul 04 PB~06

 

TOP Complete Photos
1. Select top, rough thickness and join book matched plates. May 18 Top~01 Top~02 
2. True surfaces, rout rosette channel and fit the rosette. May 19 Top~03 Top~04 Top~05
3. Glue rosette. When dry,  cut out top plate & level the rosette  May 25 Top~06
4. Reduce thickness until top is most resonant at or near target  May 26 Top~07
5. Mark bracing and reinforcement pad positions May 27 Top~08
6. Attach upper bout reinforcements. May 27 Top~09 Top~10
7. Cut out neck interlock slot, sound hole and fret board end arc May 27 Top~11 Top~12 Top~13
8. Cut out neck interlock slot, dry fit to neck & sides & mark linings perimeter. May 27 Top~14 Top~15
9. Glue in dual fan brace lattice using domed solera May 28 Top~16 Top~17 Top~18
10. Shape and sand fan braces May 28 Top~19 Top~20
11. Glue in transverse braces and upper bout supports May 30 Top~21 Top~22
12. Shape and sand transverse braces  May 30 Top~23

 

BACK Complete Photos
1. Select back, rough thickness and joint plane centre edges.. Apr 26 Back~01
2. Join back with center inlay and rough thickness Apr 26 Back~02 Back~03
3. Rough cut back to shape and thickness to 2.2 mm. Apr 26 Back~04 Back~05
4. Attach inner center seam reinforcement and cut passages for back braces. Jun 24 Back~06 Back~07
5. Radius and scallop back braces. Jun 24 Back~08 Back~09
6. Attach back braces. Jun 24 Back~10 Back~11
7. Shape back braces. Jun 24 Back~12
8. Prepare label and glue to inner face. Jun 24

 

SIDES Complete Photos
1. Cut 15mm ash lining strips and thickness to 2.5 mm. Apr 21 Sides~01
2. Bend lining strips  Apr 21 Sides~02 Sides~03 Sides~04
3. Glue up lining strips in lamination mold. Apr 22 Sides~05 
4. Trim laminated linings. Apr 22 Sides~06
5. Round the inner edges of the linings with a roundover bit Apr 22 Sides~07 Sides~08
6. True up material for sides and thickness @2.3 mm Apr 24
7. Trim upper edges to accommodate top slope Apr 24 Sides~09
8. Bend Sides Apr 24 Sides~10 Sides~11 Sides~12
9. Trim the ends ot the sides and fit in the outside mold. Apr 25 Sides~13  
10. Rough trim sides to top profile. Apr 25 Sides~14
11. Rough trim sides to back profile. Apr 25
12. Cut upper bout ends to fit neck recess. Apr 25 Sides~15
13. Prepare and attach tail block. May 04 Sides~16 Sides~17
14. Attach, plane and shape upright braces each side of the waist. May 04 Sides~18 Sides~19
15. Attach linings to sides. May 04 Sides~20 Sides~21
16. Prepare and fit Side wedges. May 04 Sides~22 Sides~23
17. Attach front wedges to sides. May 04 Sides~24
18. Prepare & fit rear wedges to dry fit the sides to the neck. May 04 Sides~25
19. Rout channel for the tail graft and spot glue temporary graft May 31 Sides~26
20. Sand upper linings/sides in hollowed dish mold to match top dome May 31
21. Rough cut 2 1/2" binding starter rebates at the neck  May 31

 

BRIDGE Complete Photos
1. Cut and true up bridge blank. Jul 05 Bridge~01
2. Drill holes in the tie block area Jul 05 Bridge~02
3. Cut tie block boundary slots Jul 05 Bridge~03
4. Profile underside of bridge blank to match top dome radius. Jul 05
5.  Rout the saddle slot Jul 05 Bridge~04
6.  Rough cut bridge arms to desired height. Jul 05 Bridge~05
7. File arms round and bevel arm ends. Jul 05 Bridge~06
8. Chisel out the valley and round off the front of the bridge. Jul 05 Bridge~07
9. Angle the top of the tie block Jul 05
10. Fabricate and attach tie block cap..  Jul 06 Bridge~08 Bridge~09
11. Weigh bridge and refine as needed to reach desired weight range. Jul 06
12. Seal with shellac to prevent bleeding color onto top. Jul 06 Bridge~10
13. Drill bridge locator pin holes at the bottom of the saddle slot. Jul 07

 

ASSEMBLY Complete Photos
1. Align top to neck in assembly form and drill locator dowel holes though the top  May 30 Asmble~01
2. Install temporary dowels, remove from form and check alignment from the top. May 30 Asmble~02
5. Apply glue to neck surfaces, realign top to neck with locator dowels and clamp. May 30 Asmble~03
6. Replace top in assembly form, insert sides and mark lining recesses. May 31 Asmble~04
7. Remove sides and cut recesses in transverse bars May 31 Asmble~05 Asmble~06
 9. Mark interlocking recesses in linings for the transverse bars and treble bar. May 30 Asmble~07
10. Remove sides and  cut interlocking recesses into the linings. May 31 Asmble~08 Asmble~09
12. Refine Spanish heel wedges to ensure sides will clamp to the heel. May 31
13. Remove sides and apply glue to upper side linings and outer heel gluing surface. Jun 01
15. Clamp sides to top using form clamp system. Jun 01 Asmble~10
16. Glue in wedges down leave to dry. Jun 01
17. Remove clamps and level heel and wedges to the sides. Trim excess from top. Jun 01 Asmble~11
18. Remove guitar from mold and refine the top/side joint. Jun 01 Asmble~12
19. Refine profile of sides to align with back doming. Jun 01
20. Locate and cut tenons in the back braces. Jun 24 Asmble~13 Asmble~14
21. Locate and cut mortices in the side linings. Jun 24 Asmble~15
22. Prepare label and glue to inner face. Jun 24 Asmble~16
23. Glue and clamp the back.  Jun 24 Asmble~17
24. Trim the back waste flush to the sides.  Jun 24 Asmble~18
25. Rout the top and back purfling/binding rebates Jul 01 Asmble~19 Asmble~20
26. Hand finish top binding rebates into the neck.  Jul 02 Asmble~21
27. Fit, glue and clamp top purflings and flush trim. Jul 04 Asmble~22 Asmble~23
27. Hand finish back binding rebates to the heel and tail.Miter the center strip ends. Jul 04 Asmble~24 Asmble~25
28. Fit and glue back purflings with mitered joints to the center strip.. Jul 04 Asmble~26 Asmble~27
29. Trim purflings flush to the back surface. Jul 04 Asmble~28 Asmble~29
30. Remove the temporary tail graft and replace with the permanent graft. Jul 05 Asmble~30
31. Miter the tail graft ends. Jul 05 Asmble~31 Asmble~32
32. Cut binding ends to fit and miter the purflings to fit tail graft. Jul 05 Asmble~33 Asmble~34
33. Glue bindings  Jul 05 Asmble~35 Asmble~36
34. Scrape bindings flush to sides..  Jul 05 Asmble~37 
35. Level bindings to top and back. Jul 05 Asmble~38 Asmble~39
36. Assemble heel cap components.Glue and clamp heel cap. Shape when dry. Jul 06 Asmble~40 Asmble~41
37. Round binding corners and finish sand the entire guitar.  Jul 06 Asmble~42
38. Locate bridge and drill locator holes into the top. Jul 07 Asmble~43 Asmble~44
39. Locate bridge and drill locator holes into the top Jul 07 Asmble~45 Asmble~46
40.Glue and clamp bridge Jul 07 Asmble~47 Asmble~48
41. Apply a shellac sealing coat to the entire guitar. Jul 08 Asmble~49 Asmble~50
42. Fabricate nut and saddle. Jul 08 Asmble~51 Asmble~52
43. Install tuners, attach strings and evaluate the response. Adjust as needed. Jul 08 Asmble~53

 

French Polish Complete

Photos

1. Seal all purfling lines with cyanoacrylate 
2.Inspect and correct any small discrepancies.
3. Seal the entire guitar with shellac.
4. Fill pores using pumice and alchohol
5. Sand filled guitar 
6. Build up body on all surfaces using french polishing method.
7. Level all surfaces with 800 grit wet/dry paper.
8. Rebuild the body on all surfaces.
9. Level all surfaces a second time if needed.
10. Apply glaze coats.
11. Rub down with Menernza abrasive polish